Date Published: 26/08/2026

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CULTURAL IMPRINTS OF THE PEPPLE OF QUANG REGION IN THE NOVEL QUÊ NỘI
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THE WORKER CHARACTER IN NGUYEN KHAI’S PROSE (1960 - 1975)

 
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THE SEMANTIC DEVELOPMENT OF COLOR ADJECTIVES IN MODERN VIETNAMESE POETRY 
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EXISTENTIAL SENSE OF FREEDOM IN SOUTHERN URBAN POETRY (1965–1975): FROM SELF-AFFIRMATION TO THE CHOICE OF COMMITMENT
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THE COLONIAL LANDSCAPE OF THE CENTRAL HIGHLANDS THROUGH THE LENS OF LANDSCAPE CRITICISM: TRACES OF HYBRIDITY AND MECHANISMS OF POWER CONTROL
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CULTURAL EXPRESSION OF ANIMAL PATTERNS ON COSTUME IN THE STORIES OF THE THAI PEOPLE IN THANH HOA
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