THE ARTISTIC IMAGERY IN LE KHANH MAI’S POETRY FROM A PSYCHOANALYTIC PERSPECTIVE
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Abstract
Based on the psychoanalytic theories of Freud and Jung, this study analyzes three core dimensions: personal unconscious, collective unconscious, and the superego. Through these perspectives, the analysis of artistic imagery in Le Khanh Mai’s poetry reveals a profound inner world and a soul deeply empathetic and affectionate toward life. Her poetry is not only a personal voice but also a condensation of collective consciousness and noble spiritual ideals. The study affirms the distinctive value of female poetry in modern literary discourse when examined under the lens of psychoanalysis.
Keywords
Le Khanh Mai, psychoanalysis, unconscious, collective unconscious, superego, artistic imagery.