THE ARTISTIC IMAGERY IN LE KHANH MAI’S POETRY FROM A PSYCHOANALYTIC PERSPECTIVE

Minh Nghĩa Võ1,
1 Trường Đại học Văn Hiến, Tp. Hồ Chí Minh

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Abstract

         Based on the psychoanalytic theories of Freud and Jung, this study analyzes three core dimensions: personal unconscious, collective unconscious, and the superego. Through these perspectives, the analysis of artistic imagery in Le Khanh Mai’s poetry reveals a profound inner world and a soul deeply empathetic and affectionate toward life. Her poetry is not only a personal voice but also a condensation of collective consciousness and noble spiritual ideals. The study affirms the distinctive value of female poetry in modern literary discourse when examined under the lens of psychoanalysis.

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