THE IMAGE OF THE ENLIGHTENED PERSON IN LÝ DYNASTY ZEN POETRY AND EAST ASIAN ZEN POETRY

Lê Thị Nương1, , Hoai Thuong Quach Thi1, Thi Luyen Quach Thi1, Mai Chi Quach Thi1, Huyen Trang Pham Thi1, Thanh Nga Bui Thi1
1 Hong Duc University

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Abstract

During the medieval period, countries within the Sinosphere shared a close relationship in terms of culture and literature. Vietnam, the Korean Peninsula (Korea), Japan, and China experienced parallel timelines of cultural and literary development. Due to many similarities in historical and social conditions, East Asian literature reveals several common features, particularly in Zen poetry. This genre represents a unique artistic achievement and a valuable humanistic legacy of Buddhist literature, serving as evidence of the inseparability of literature and philosophy. Rooted in Buddhist thought, Zen poetry is not merely an artistic form of expression but also a path toward the pursuit of truth, helping individuals confront themselves and life itself. Within this context, the image of the enlightened person emerges as a symbol of wisdom, liberation, and the ultimate truth of Buddhist teachings.

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